A tribute to the village of Barnawa
The Langas, among others, still have the Sindhi Sipahi for Jajmans. They are a modest caste of Muslim farmers. Their stringed instrument, the sindhi sarangi (in reference to the Pakistani Sind Valley which prolongs this cultural air) and the gujrati sarangi (which refers to a region in the southern part of Rajasthan, the Gujarat) are the domain of Saran giya Langa (the players of sarangi and satara, the double flute of pastoral origin) while the Suraniya Langa reserve for themselves wind instruments such as the
shahnai (oboe) and the murli (clarinet). In the past, the tradition linked to certain religious orders of Islam prevented the Langa from using percussion. Those times seem faraway, for today almost all of the Langa play the dholak in accompaniment in the same way that the Man ghaniyar do. Even the karthal of the Manghaniyar can be found pounding in the Langa hands today. The fraying of tradition and modification of social structures has a tendency to create a phenomena of uniformity.
Today Langas are stuggling for artistic survival facing a new industrial world.